Artist Yein Lee contemplates today’s golden age of information and technology
by Shraddha NairOct 01, 2022
by Dilpreet BhullarPublished on : Feb 25, 2020
Rising from the ashes, the mythological bird Phoenix is a homage to the Egyptian god of Sun. Many of the literary writers, from Ovid to Shakespeare, have drawn comparisons between the human mortality and the Phoenix immortality to underline the indomitable courage of the human race in the face of despair. The sculptures rendered in the colour of ash by Seoul-based artist Park Kipyung bring back the question of human life running against the time. The art of sculpture-making, especially when the human forms are carved, gives the liberty to play with the uniformity of the human form. What is striking about Kipyung’s sculptures is the deformity - missing facial features, half a skull, limbs cut into two hollow pieces - that invites the audience to have an introspective experience on human existence.
by Rahul Kumar Feb 06, 2023
STIR speaks with Gallery Climate Coalition team about its mission to reduce greenhouse gas emission and waste sources in arts sector.
by Hili Perlson Feb 05, 2023
Michal Rovner’s exhibition Alert at Fondazione Merz in Turin is the result of long nights spent in the fields watching jackals.
by Hili Perlson Jan 28, 2023
The exhibition RHAMESJAFACOSEYJAFADRAYTON is a continuation of the artist's engrossment with Black music by focusing on a larger narrative, expressed through the lives of its protagonists.
by Dilpreet Bhullar Jan 27, 2023
The spectrum of unconventional material in the exhibition Bitch on Wheels by Tora Schultz at O-Overgarden sets a proposition to defy the pattern of structural bias into motion.
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