How do we remember and forget, and how do we channel our memories into imagination. Drawing on his artistic practice, Danish Husain reflects on translating three dimensional fragments from the past into cinematic narratives, and the compression of time and space this process requires, in a performative monologue. Memories of architectural structures from his childhood take on new forms in his present-day work, when summoned up into realisation. How does our imagination shape the future? And what is the anatomy of nostalgia?