ADFF:STIR's London Curtain Raiser sets the stage for 2026 with dialogue and community
by Jincy IypeOct 01, 2025
•make your fridays matter with a well-read weekend
by Samta NadeemPublished on : Oct 07, 2019
Waiting by her work at the crowded tunnel entrance of V&A at 3:30pm sharp, I see a friendly face approaching and looking for eyes that could be looking for her. Can’t say who spotted who first, but smitten by her wit, sensitivity and insight over the course of our chat that followed, I’d say it was Rachel Ara.
Having worked as a computer systems designer and cabinet maker for nearly 30 years, Ara ventured into full-fledged artistic works barely five years ago. A multi-disciplinary artist with a Fine Art degree from Goldsmiths, and a diverse set of skills across materials and technology, she uses art as a medium to share her explorations of the relationship between gender, technology and systems of power.
A keen observer of the world around her, Ara likes to investigate subjects with a socio-political edge, especially the ones that are intentionally avoided by the society at large. Most times, instead of expressing personal views, her art puts a spotlight on these topics and places it in the public eye as fuel to spark debates. Many of her recent works incorporate humour and irony with feminist and queer concerns.
In 2016, she won the Aesthetica Art Prize 2016 for This Much I’m Worth (the self-evaluating artwork), which also happens to be the backdrop of our conversation.
“This Much I’m Worth,” explains the artist herself, “is a digital art piece that continually displays its sale value through a series of complex algorithms called ‘the endorsers’. It is constructed with materials that have a history loaded with association. Implicated in the history of neon is its use in the sex trade, its cultural significance today is more commonly a troupe of contemporary art. It is both a functional object and spectacle seeking to question values, worth and algorithmic bias.”
A former artist in residence at the V&A Research Institute (VARI), Ara has previously exhibited an intriguing body of work at the LDF 2018 titled, The Transubstantiation of Knowledge. Interestingly, she always only works with a women-led team on her art pieces.
Ara currently lives and works in London, and enjoys to poke, probe and provoke.
by Sunena V Maju Mar 11, 2026
The 82nd Whitney Biennial 2026 is a group show that reflects the ‘turbulent existential weather’ of the United States today.
by Srishti Ojha Mar 06, 2026
The British artist’s solo exhibition, ZOT at Varvara Roza Galleries in London, takes a postwar, postmodernist peek behind the curtain of artist studios.
by Mrinmayee Bhoot Feb 27, 2026
Are You Human? brings together a staggering list of works that strive to question the consequences of our pervasive digitality but only engage with it superficially.
by De Beers Feb 27, 2026
The immersive installation by De Beers, featuring artist Lakshmi Madhavan, framed natural diamonds through art, nature and human expression at India Art Fair 2026.
surprise me!
make your fridays matter
SUBSCRIBEEnter your details to sign in
Don’t have an account?
Sign upOr you can sign in with
a single account for all
STIR platforms
All your bookmarks will be available across all your devices.
Stay STIRred
Already have an account?
Sign inOr you can sign up with
Tap on things that interests you.
Select the Conversation Category you would like to watch
Please enter your details and click submit.
Enter the 6-digit code sent at
Verification link sent to check your inbox or spam folder to complete sign up process
by Samta Nadeem | Published on : Oct 07, 2019
What do you think?