by Dar Gai Apr 29, 2022
For her, Ukraine isn't just a country of birth, love and loss. ‘It’s Molfa. A magical object that gives you power only if you are magical yourself,' she writes in an intimate account.
by Natalia Torija Nieto Apr 26, 2022
The 38-year-old Kyivan sheds these titles while fighting against demolition of historic buildings, preparing rescue kits and creating an emergency housing plan within just 10 days!
by Rosalyn D`Mello Apr 25, 2022
Indian scriptwriter Aastha Tiku’s film, Sherni, shares ideological resonances with a work-in-progress by a South Tyrolean museologist and researcher duo.
by André Aranha Corrêa do Lago Apr 21, 2022
The Brazilian Ambassador to India, André Aranha Corrêa do Lago pens an account of Brazil’s now global architectural identity, and the exhibitions in Delhi commemorating the bicentennial.
by Anne Feenstra Apr 12, 2022
Venice, in order not to sink, will need to take up its historical function of a microcosm once more, and it will be the testing ground for radical experiments of solutions.
by Afra Safa Apr 06, 2022
A review of the outstanding graphic design studios in Iran whose works are enriched by the country’s long visual history and diverse contemporary life.
by Natalia Torija Nieto Mar 30, 2022
In Ukraine, curators, artists, musicians now double as drivers, volunteers and fighters. Planeta Ukrain voices their hope for life, and participation at the 23rd Triennale Milano. A tribute.
by Divya Menon Mar 25, 2022
Through the art of unconditioning, architecture repositions itself as a research instrument in the new world.
by Weili Zhang Mar 22, 2022
A visit to the Wutopia Lab-designed Architectural Model Museum, an innovative and focused new addition to Shanghai’s burgeoning collection of exhibition spaces.
by Sukanya Deb Mar 15, 2022
The last of a three-part series investigates modernity and the cultural underpinnings around its conception in African diaspora artists who contributed to the Western canon.
by Rosalyn D`Mello Mar 11, 2022
Mother-artists are visualising the heretofore invisibilised corporeal and emotional fatigue of care-giving through diverse materials rooted in embodied subjectivity.
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