Helen Marriage on immersing Durham in light-based installations at Lumiere festival
by Sukanya GargNov 25, 2019
•make your fridays matter with a well-read weekend
by Sukanya GargPublished on : Nov 14, 2019
The UK’s largest light festival, Lumiere Durham, is celebrating its 10th anniversary programme from November 14-17, 2019. Organised by Artichoke, one of the country’s leading creative companies that is funded by the Arts Council England, the festival features 37 light-based works in outdoor settings by artists from the UK, Canada, Japan, New Zealand and other countries. The event also features some of the favourite artworks from the previous editions of Lumiere along with new commissions.
For the four nights that the festival is on display, visitors can navigate the festival’s numerous dramatic installations, dynamic projections, reflective and interactive works using a Lumiere app.
Geometrical Traces by Javier Riera (Spain) illuminates the city’s riverside tree canopies in a mesmerising new work that draws upon mathematical patterns found in nature. Squidsoup’s (UK) extraordinary immersive work Wave, featuring 500 orbs of light and 500 voices, comes to the festival direct from its first exhibition at Burning Man in the Nevada desert earlier this year.
Deepa Mann-Kler (UK) brings her glowing balloon dog sculptures Neon Dogs, previously seen at Lumiere London, as well as a new work similarly inspired by pop culture.
The four inventive artworks from the winners of the BRILLIANT competition are also on display. Penelope Payne (UK) brings a slice of summer to wintry Durham with Blue Skies, her projection onto the underside of Milburngate Bridge. End over End reminds everyone of childhood with this clever homage to the iconic slinky by Lucy McDonnell (UK).
Artichoke invited a range of community groups and individuals from across County Durham to take part in the creation of artworks for this year’s festival. Women residents at HMP Low Newton in Brasside worked with poet Hannah Jane Walker (UK) to create The Next Page, a message for the future in neon, displayed at Clayport Library. Meanwhile, piano players of all ages have the chance to see their music-making transformed into shape-shifting patterns on the facade of Rushford Court for Keys of Light by Mr.Beam (Netherlands).
Students are also participating in the festival. Those from the Durham Sixth Form Centre have collaborated with Ocubo (Portugal) and Storybox (New Zealand) on Are Atoms Alive?, a fascinating short film displayed across nine shipping containers. Also, young people from Parkside Academy in Willington and Tübingen in Germany have collaborated with school children worldwide to create the branches and flowers of Mick Stephenson’s (UK) Friendship Tree using recycled materials. The tree celebrates the spirit of collaboration and marks the 50th anniversary of Durham’s twinning with Tübingen.
The favourites from previous editions that have made a comeback include the giant glittering snow globe I Love Durham by Jacques Rival (France). In addition, the atmospheric sculpture Cloud, formed from 6,000 incandescent light bulbs by Caitland r.c. Brown & Wayne Garrett (Canada), will be a part of the festival among others.
In addition, there are three permanent installations at the festival that have become the artistic bedrock of the city of Durham. Helvetictoc by Tobie Langel (Switzerland) has been telling the time in Millennium Place since 2013, while Lightbenches by Bernd Spiecker for LBO (Germany) has been encouraging passers-by to take the weight off their feet since 2015. Installed following Lumiere 2017, Heron by Jon Voss (France) continues to capture a fleeting moment in time with the unfolding wings of one of Britain’s most iconic birds.
Lumiere, which is completely free to attend, is open each night from 4:30pm to 11pm. A total of 26 of the 37 installations are accessible without a ticket at all times. However, as in all previous editions, a peak-time ticketing system is in operation for access into the central peninsula area between 4.30pm and 7.30pm each evening. Nevertheless, free peak-time tickets have been available since October 28, 2019. The festival, which started 10 years ago, with the idea to bring art out to the streets and public, has cast the city in a new light, both literally and figuratively. Durham, over the years has become known as the ‘Place of Light’, and the festival is a must-visit event of the year.
by Urvi Kothari Sep 25, 2023
A sensorial dialogue on the visible and the invisible through a non-obvious juxtaposition of artworks by Marisa Merz and Shilpa Gupta at the MAXXI L'Aquila, Rome.
by Hili Perlson Sep 24, 2023
Marking the official start of the art season in the German capital, the action-packed festival celebrated the city’s wide range of art spaces and its art-hungry audiences.
by Aarthi Mohan Sep 20, 2023
Glassmaker Emmanuel Barrois' transformative masterpiece Reflexions moulds light and glass into a profound exploration of human existence.
by Zeynep Rekkali Jensen Sep 20, 2023
In an exclusive interview with STIR, Campolmi explores her unconventional path into curatorial work, her commitment to addressing postcolonial, queer, and feminist themes and more.
make your fridays matter
SUBSCRIBEDon't have an account?
Sign UpOr you can join with
Already signed up?
LoginOr you can join with
Please select your profession for an enhanced experience.
Tap on things that interests you.
Select the Conversation Category you would like to watch
Please enter your details and click submit.
Enter the code sent to
What do you think?