Inquiring the importance of Mumbai Gallery Weekend in expanding the art economy
by Pallavi MehraJan 12, 2023
by Vatsala SethiPublished on : Jan 01, 2023
Stepping into Yaazd Contractor’s exhibition at the Method, an art gallery in Kala Ghoda, Mumbai is akin to stepping on to a science fiction film set. The much-anticipated show, titled Handle With Care, focuses on the use of technology, and factory-made, mechanical elements. This lines up with what we have seen at the Indian artist's past art exhibitions. Contractor is often referred to as a light artist, as his art installations involve light design and illuminate spaces. Several intricate parts of his work have a futuristic vision aided by the medium he uses.
There is a contrast in the materials used to create each of the objects on display. These include cinder and glass, mass-produced and prefabricated steel parts. He also uses cold cathode neons, an art that is in danger of extinction, and quickly withering flowers. These are the elements that stand out the most among the carefully chosen components currently on display at Method. Although the list may go on, it would be limiting the work's potential to confine our interpretation of the current show to a single narrative of materiality.
When we contemplate the exhibition title a bit more, can we decipher a message, Handle With Care? Considering the delicate materials in contrast with the heavy industrial objects, we wonder what more might be suggested. As implied by the exhibition's name, ‘Handle With Care’, viewers are urged to view the works on display with care and refrain from attributing meanings that are unrelated to the exhibition. Is that an approach for not requesting audience feedback and instead enabling events to unfold naturally?
The show's illumination draws visitors in, allowing them to take in the atmosphere of the dazzling exhibition and giving them less time to wonder and wander. In addition, the title is a statement that is frequently written on shipping crates while moving a piece of art. The works on show combined with neon lights, metal tubes, Borosil glass, cold cathode lighting, and aluminium produce a distinctive visual impact. The pieces must be handled extremely carefully because they include fragile materials. It's intriguing to observe how the exhibition as a whole, from the text to the artworks on display to the curatorial note, conveys a sense of fragility and tenderness, in contrast to the artist's earlier works, which established connections with incredibly robust, rigid, and durable industrial components.
The works of the visual artist on display create a fine balance between tenderness and rigidity, with a warm, and playful aesthetic. At the same time, the works allow viewers to ponder other aspects of the work, that go beyond art and functionality. Contractor’s practice results in a body of works that are related to the realm of design, but are constructed from reused industrial byproducts, generating distinctive objects with distinct identities that bridge the gap between art and luxury design.
Contractor has highlighted works of art and commonplace items from an industrial background that one would pass by in daily life. The artist’s works also adds an interesting dimension to the Indian art world, in terms of aesthetics and have us anticipating a good twist at the end of this scientific-fiction-like exhibit.
Handle With Care by Yaazd Contractor is on view at Method Gallery in Kalaghoda, Mumbai, till January 3, 2023.
by Rahul Kumar Feb 06, 2023
STIR speaks with Gallery Climate Coalition team about its mission to reduce greenhouse gas emission and waste sources in arts sector.
by Hili Perlson Feb 05, 2023
Michal Rovner’s exhibition Alert at Fondazione Merz in Turin is the result of long nights spent in the fields watching jackals.
by Hili Perlson Jan 28, 2023
The exhibition RHAMESJAFACOSEYJAFADRAYTON is a continuation of the artist's engrossment with Black music by focusing on a larger narrative, expressed through the lives of its protagonists.
by Dilpreet Bhullar Jan 27, 2023
The spectrum of unconventional material in the exhibition Bitch on Wheels by Tora Schultz at O-Overgarden sets a proposition to defy the pattern of structural bias into motion.
get regular updates SIGN UP
Don't have an account?
Sign UpOr you can join with
Already signed up?
LoginOr you can join with
Please select your profession for an enhanced experience.
Tap on things that interests you.
Select the Conversation Category you would like to watch
Please enter your details and click submit.
What do you think?