‘On-site’ at New Delhi’s Bikaner House brings four leading galleries under one roof
by Rahul KumarMar 15, 2021
•make your fridays matter with a well-read weekend
by Rahul KumarPublished on : Sep 17, 2019
Surrealistic twisted doors, towers reaching for the sky, and minimalistic yet intricate drawings - 1:2500 (One is to twenty-five hundred) comprises of all these and more. The latest one-man exhibition of artist Martand Khosla references his architectural practice. “Authoring a building is always bound by constraints, while my art work is liberating,” says Khosla. He uses salvaged wood from demolished buildings and powdered bricks for a literal and metaphorical context of ‘new-old’ of the city.
“The title references the play of the micro and macro, where a work could be seen as a model of a building or image of DNA at the same time,” explains Peter Nagy, director at gallery Nature Morte.
STIR brings an exclusive video walk-through with the artist and the gallerist.
by Urvi Kothari Sep 25, 2023
A sensorial dialogue on the visible and the invisible through a non-obvious juxtaposition of artworks by Marisa Merz and Shilpa Gupta at the MAXXI L'Aquila, Rome.
by Hili Perlson Sep 24, 2023
Marking the official start of the art season in the German capital, the action-packed festival celebrated the city’s wide range of art spaces and its art-hungry audiences.
by Aarthi Mohan Sep 20, 2023
Glassmaker Emmanuel Barrois' transformative masterpiece Reflexions moulds light and glass into a profound exploration of human existence.
by Zeynep Rekkali Jensen Sep 20, 2023
In an exclusive interview with STIR, Campolmi explores her unconventional path into curatorial work, her commitment to addressing postcolonial, queer, and feminist themes and more.
make your fridays matter
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