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Art and fandom

Exploring the implications of fandoms and commodification on contemporary art, technology and culture through community-led demands.

by Lee DaehyungPublished on : Jan 11, 2024

The dawn of the digital era revolutionised the cultural fabric of our world, transforming it from a mere conduit of cultural exportation to a dynamic landscape of transnational co-creation. This seismic shift, powered by the engines of digital technology, has blurred once rigid national boundaries, giving birth to a global fandom economy. This can be understood as a cultural and economic system fueled by fan communities passionate about specific phenomena including movies, music, computer games, books, or celebrities. Fans actively shape trends, drive sales, and co-create related experiences and products. This new epoch transcends mere changes in cultural consumption and distribution; it marks a transformative movement, reshaping the very essence of cultural exchange, and leaping over geographic and generational divides. In this era, understanding the global ecosystem and crafting strategies that resonate on a worldwide scale has become imperative.

BTS in front of Antony Gormley's “New York Clearing.” In 2020, Daehyung Lee orchestrated “CONNECT BTS.” This global initiative brought together 22 contemporary artists in five cities around the world to artistically convey the essence of ‘diversity’ and ‘global solidarity’ | STIRworld
BTS in front of Antony Gormley's New York Clearing. In 2020, Daehyung Lee orchestrated CONNECT BTS. This global initiative brought together 22 contemporary artists in five cities around the world to artistically convey the essence of diversity and global solidarity Image: © HYBE

At the heart of this transformation lies inclusive fandoms. A prime example is the global phenomenon of BTS and their fans, ARMY. Fandoms today are not transient trends but sustainable, global movements that propagate inclusive worldviews. They symbolise a novel narrative in cultural exchange, anchored in digital communities, shared social values, and a commitment to positive influence. This reimagined paradigm of artistic creation, distribution, and consumption is dismantling traditional barriers, ushering in an era of collaborative creation and shared experiences.

Design by Sou Fujimoto, Hans Ulrich Obrist, Jean-Michel Othoniel, Jean-Philippe Delhomme, Nigo, and Nuru Karim and BTS, to name a few that contributed to personalising the iconic Louis Vuitton trunk for the exhibition 200 TRUNKS, 200 VISIONARIES| STIRworld
Design by Sou Fujimoto, Hans Ulrich Obrist, Jean-Michel Othoniel, Jean-Philippe Delhomme, Nigo, and Nuru Karim and BTS, to name a few that contributed to personalising the iconic Louis Vuitton trunk for the exhibition 200 TRUNKS, 200 VISIONARIES Image: Courtesy of Louis Vuitton

The fandom economy represents a convergence of the digital realm and the collective spirit of fandom, transforming passive audiences into active stakeholders in the artistic process. It has redefined the consumption of popular culture, with fandoms like Star Wars and BTS leading the charge. These groups are more than assemblies of fans; they are potent forces in cultural production, influencing artistic narratives, and redefining the intersections of art, thus achieving a stature parallel to creators. Take, for example, the influence of Doctor Who fans, known as Whovians.

What are the implications of fandom for the contemporary art world? The future of the art world hinges on a delicate balance between the participatory nature of fandom and the sanctity of artistic autonomy. This necessitates a collaborative effort from both artists and audiences to preserve art's core values, broadening the discourse to encompass cultural, historical, and philosophical dimensions. Art, in its purest form, is an expression of human experience and creativity, a stronghold against commodification, market influences, and fan-driven demands.

Installation view of Hello, Robot. Design between Human and Machine at Vitra Design Museum. The exhibition included over 200 exhibits (robotic prototypes such as R2-D2 from Star Wars) inspired by popular culture | STIRworld
Installation view of Hello, Robot. Design between Human and Machine at Vitra Design Museum. The exhibition included over 200 exhibits (robotic prototypes such as R2-D2 from Star Wars) inspired by popular culture Image: Ludger Paffrath; © Vitra Design Museum

The contemporary art world stands at a crucial crossroads. Its trajectory will be defined by its adherence to foundational principles while adapting to the evolving cultural landscape. Amidst technological advancements and the burgeoning fandom economy, art is poised to explore new frontiers of innovation, participation, and global solidarity. The global exhibition project, CONNECT BTS exemplifies the intersection of contemporary art, technology, and fandom economy. Initiated by 21st century pop icons BTS, between January and March 2020, a series of public art projects were mounted in five cities on four continents. ARMY played a crucial role in popularising the initiative. Their engagement went beyond typical fan activities; they interacted with, interpreted, and promoted the art, bridging the gap between contemporary art and a wider, often younger audience. CONNECT BTS also aligned with the group's broader message of solidarity and understanding diversity across cultures. At Gropius Bau, Berlin, a performance series Rituals of Care, including artists Cevdet Erek and Jelili Atiku, among others, addressed the Anthropocene, violence and repair. Like this theme, each part of the programme showed how art could be a medium for social and cultural commentary, reflecting contemporary issues and connecting people across different backgrounds.

Tomas Saraceno’s Fly with Aerocene Pacha as part of CONNECT BTS in 2020 | STIRworld
Tomas Saraceno’s Fly with Aerocene Pacha as part of CONNECT BTS in 2020 Image: ©STUDIO TOMÁS SARACENO

Elsewhere, Instances like the Gallery Climate Coalition (GCC) demonstrate the enthusiastic integration of environmental activism into the art world, translating theory into action to reduce the carbon footprint in the art ecosystem from creation to consumption. This exemplifies the fandom economy's expansion into art and sustainability. GCC's organic growth since its inception underscores this trend. Similarly, the exhibition Sneakertopia: Step into Street Culture (February 25 - July 30, 2023) at the ArtScience Museum in Singapore showcased the fandom economy's influence across various artistic domains touching on street culture genres of art, entertainment and technology.

Catharsis, is a global initiative supported by BTS, the K-Pop band and hosted by Serpentine Galleries - the London edition of ‘CONNECT BTS’, featuring the work of Jakob Kudsk Steensen, a New-York based Danish new media artist | STIRworld
Catharsis, is a global initiative supported by BTS, the K-Pop band and hosted by Serpentine Galleries - the London edition of CONNECT BTS, featuring the work of Jakob Kudsk Steensen, a New York-based Danish new media artist Image: Hugo Glendinning

Fandom has evolved from a facet of pop culture to a value-oriented network, marking a significant shift in the perception of and engagement with art in the contemporary world. The interplay between the fandom economy and technological advancements presents a complex backdrop for the organic evolution of art, enhancing its accessibility and inclusivity. It is not solely about new methods of creating and consuming art, but a deeper transformation in how we perceive and interact with cultural phenomena. Not only has fandom changed the traditional gatekeepers of culture—such as critics, curators, and mainstream media—and given rise to a more grassroots, community-driven cultural scene, it has, by virtue of utilising digital interfaces, generated a vast amount of data that can be analysed to understand preferences and trends. While this can lead to more engaging and ‘successful’ art, it also raises questions about artistic integrity and the balance between catering to audience preferences and maintaining artistic vision. As we continue to navigate this evolving landscape, the challenge lies in balancing the innovative possibilities offered by technology and fandom with the need to preserve the essence of art. The imperative to safeguard art’s power to uplift, challenge, and reflect the human spirit, remains paramount.

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STIR STIRworld Fly with Aerocene Pacha: Tomás Saraceno for Aerocene, January 21-28, 2020, Salinas Grandes, Jujuy, Argentina, Human Solar Free Flight as part of CONNECT BTS, curated by DaeHyung Lee, Installation view

Art and fandom

Exploring the implications of fandoms and commodification on contemporary art, technology and culture through community-led demands.

by Lee Daehyung | Published on : Jan 11, 2024