Cox Architecture designs a multimode theatre inspired by fluid curtains in Sydney
by STIRworldAug 07, 2020
•make your fridays matter with a well-read weekend
by Meghna MehtaPublished on : May 19, 2020
Located in the Toxeth Estate, a historic centre in Sydney, New South Wales in Australia, the Courtyard House has been redesigned by Joe Agius of COX Architecture to a modern abode that is inspired from Moroccan architecture. The Courtyard House came into being in 1885 as a large and generously proportioned Italianate terrace in the Toxeth Estate of Glebe. During the interwar period, like many dwellings in Glebe, the house underwent significant unsympathetic alterations into a boarding house. Now it has been converted into a contemporary home with a refreshing appeal for a mature family with two teenage sons.
The approach was to reconfigure it back into a single dwelling while giving privacy to each of the family members. The ambition was to create a courtyard house that catered to the needs of the day with amenities of the modern world, and walks away from the terrace typology.
"The design for the house embraces the ideal of adaptability – it is designed to ‘transform’ easily between three modes – single generous four-bedroom home, two two-bedroom homes, and a large two-bedroom home with a separate studio,” says Cox Architecture Director Agius.
The house draws inspiration from ‘riad’, a traditional Moroccan house where the house is organised around a central courtyard with multiple storeys of dwelling that have non-ornamental and blank façade. In the case of this Courtyard House in Australia, the place welcomes the sunlight from the north into a centric sunny north-east facing courtyard. All the interior spaces are designed to seamlessly interact with this central space that connects all, metaphorically and physically.
“The adaptability is designed-in – including all building services – it challenges the ‘fixed’ way in which we design our housing stock, potentially addressing challenges of housing affordability," mentions Agius.
The central green courtyard becomes the physical and conceptual heart of the dwelling. Much like the façade of a Moroccan ‘riad’ house, this abode adopts a contemporary approach. The exterior is a robust exposed concrete façade and severs in its restraint and lack of embellishment. The house is an attempt to be an ideal home for the family, enabling both retreat and engagement.
Name: Courtyard House
Location: Sydney, Australia
Year: 2020
Area: 550 sqft
Architectural firm: COX Architecture, Joe Agius Architect
by Mrinmayee Bhoot May 08, 2026
In conversation with STIR, Max Melvill, co-founder of the studio, elaborates on the notion of architecture as a participatory tool for community building and engagement.
by Bansari Paghdar May 07, 2026
Following Brutalist Japan, Paul Tulett’s new book focuses on the non-canonical styles of brutalism found in South Korea’s concrete architecture, ranging from 1960s to the 2020s.
by Pranjal Maheshwari May 05, 2026
The architecture of Serenity tempers a creative retreat in the wilderness of Sethumadai using natural materials and passive cooling techniques for natural and contextual harmony.
by Pranjal Maheshwari May 04, 2026
Italian practices Labics, Buromilan and Fabio Fumagalli collaborate to upgrade the functionality, experience and energy efficiency of the Giardini della Biennale’s central anchor.
surprise me!
make your fridays matter
SUBSCRIBEEnter your details to sign in
Don’t have an account?
Sign upOr you can sign in with
a single account for all
STIR platforms
All your bookmarks will be available across all your devices.
Stay STIRred
Already have an account?
Sign inOr you can sign up with
Tap on things that interests you.
Select the Conversation Category you would like to watch
Please enter your details and click submit.
Enter the 6-digit code sent at
Verification link sent to check your inbox or spam folder to complete sign up process
Courtyard House by COX Architecture draws inspiration from traditional Moroccan riads
by Meghna Mehta | Published on : May 19, 2020
What do you think?