Brinda Somaya and Nathaniel Kahn on the intersection of memory and legacy Revisiting ~log(ue)
by Bansari PaghdarOct 20, 2025
•make your fridays matter with a well-read weekend
by Richa Arora Published on : Jan 08, 2021
Self-taught Indian photographer Richa Arora walks the walk and talks the talk about her alma mater, IIM-Ahmedabad in this cinereal photo essay that leaves chromaticity futile.
-
My first photography exhibition in 2010 was titled Finding Light. Subconsciously, in my photographs over the years, ‘light’ had become the principal subject, acquiring an almost physical form and dimension. And the search for ‘light’ had taken me on a captivating exploration of the many moods of light, mostly in black and white. However, as I was putting the exhibition together, my mind would constantly wander into the ‘old’ campus of IIM Ahmedabad, my alma mater of many years ago. And ironically, for a building famous for it’s red bricks, I kept imagining in black and white, the unending corridors, steps, bends…its various nooks and corners. Despite being ready for the exhibition, with subjects ranging from the gentle, languid light at the VT Station in Mumbai on a Sunday afternoon, to the imprisoned light, almost breaking free from the Alcatraz prison, it all seemed incomplete without the generous light of IIM Ahmedabad.
The photographs presented here are from that journey, and the larger journey of looking for unexpected combinations of darkness and light found amidst people and places. Beyond the metaphorical connotations of ‘light’ and an institution of learning, Finding Light at IIM-A was a continuation of looking for and capturing the purest form of light, i.e. natural light. The moods of light at IIM-A change with every turn of its graceful arched corridors - sometimes dazzling, sometimes soft, sometimes mysterious, sometimes revealing, taking on a meaning and a shape when contrasted with the darkness. It is only in that contrast with darkness, that the real value of light becomes apparent; symbolic, in a way, of life itself.
(The article was first published in Issue #7 of mondo*arc india journal – an initiative by STIR.)
by Mrinmayee Bhoot May 08, 2026
In conversation with STIR, Max Melvill, co-founder of the studio, elaborates on the notion of architecture as a participatory tool for community building and engagement.
by Bansari Paghdar May 07, 2026
Following Brutalist Japan, Paul Tulett’s new book focuses on the non-canonical styles of brutalism found in South Korea’s concrete architecture, ranging from 1960s to the 2020s.
by Pranjal Maheshwari May 05, 2026
The architecture of Serenity tempers a creative retreat in the wilderness of Sethumadai using natural materials and passive cooling techniques for natural and contextual harmony.
by Pranjal Maheshwari May 04, 2026
Italian practices Labics, Buromilan and Fabio Fumagalli collaborate to upgrade the functionality, experience and energy efficiency of the Giardini della Biennale’s central anchor.
surprise me!
make your fridays matter
SUBSCRIBEEnter your details to sign in
Don’t have an account?
Sign upOr you can sign in with
a single account for all
STIR platforms
All your bookmarks will be available across all your devices.
Stay STIRred
Already have an account?
Sign inOr you can sign up with
Tap on things that interests you.
Select the Conversation Category you would like to watch
Please enter your details and click submit.
Enter the 6-digit code sent at
Verification link sent to check your inbox or spam folder to complete sign up process
'Finding Light': Capturing the many moods of light at IIM Ahmedabad
by Richa Arora | Published on : Jan 08, 2021
What do you think?