Arc de Triomphe, UNwrapped: a design lens on the silver tapestry that spellbound Paris
by Anmol AhujaOct 08, 2021
•make your fridays matter with a well-read weekend
by Dilpreet BhullarPublished on : Sep 25, 2021
The Arc de Triomphe in Paris is ‘wrapped’ in 25,000 square meters of recyclable silvery-blue polypropylene fabric and 3,000 meters of recyclable red polypropylene rope. The project Wrapped, realised by the artists Christo Vladimirov Javacheff and Jeanne-Claude was completed by his team in partnership with the Centre des monuments nationaux (CMN) and with the support of the Centre Pompidou and Ville de Paris. The venture is thoroughly funded by the sale of original artworks by Christo, including preparatory studies and collages, models, works from the 1950s and 1960s, and lithographs.
To give a brief about the artist Christo, who passed away last summer in 2020, was born in 1935 in Bulgaria, studied at the Fine Arts Academy in Sofia and fled communist Bulgaria in 1957 only to settle in Paris in March 1958. Within a few months of his arrival, Christo met Jeanne-Claude, who was born in 1935 in Casablanca, Morocco. Before calling New York their home in 1964, the artist-duo had already spent seven years in Paris – the stay had rightly given wings to their artistic imagination.
It was 60 years ago when Christo and Jeanne-Claude had met in Paris. It was during the same time that the artist Christo had begun making artworks with fabric. The duo first collaborated in Paris to create the Wall of Oil Barrels - The Iron Curtain, a ‘public intervention’ on Rue Visconti. The installation completed in 1962 was the artists’ way to address the coming of the Berlin Wall. Christo played with the creative imagination to achieve its pinnacle with the works he created. Christo and Jeanne-Claude had collectively thought of the artistic project to wrap the Arc de Triomphe.
In 1962-1963, he created a photomontage with L’Arc de Triomphe, Wrapped, seen from Foch Avenue, and again featured the Arc de Triomphe wrapped in a collage in 1988. Christo began actively developing this project in 2017, and now 60 years later, it is finally being realised. Christo had mentioned, “It will be like a living object which will move in the wind and reflect the light. With its moving folds, the monument's surface will become sensual. People will want to touch the Arc de Triomphe.”
Roselyne Bachelot, Minister of Culture, France, in her statement in an official release says, “Christo and Jeanne-Claude were audacious artists. Audacity was necessary to imagine and realise projects which they were often the only ones to believe in. For over 50 years, sometimes against all odds, they have illuminated the world with their distinctive vision. Nothing seemed impossible to these artists of the ephemera. With their monumental actions in public space, they have managed to make their way into the public’s heart.”
The project was submitted to the Centre des Monuments Nationaux by the Centre Pompidou, which organised the exhibition Christo and Jeanne-Claude. Paris! in 2020, and is supported by the City of Paris. The Centre des monuments national, which ensures the conservation and opening of the Arc de Triomphe on behalf of the national state, is pleased about the realisation of a project that demonstrates its commitment to contemporary art creation and honours one of the most emblematic monuments in Paris and France.
Anne Hidalgo, Mayor of Paris, sees the work as an embodiment of the democratic value, “A tribute to the two deceased artists, this temporary and spectacular work is also a tribute to the process of creation and to the artistic freedom that goes beyond the traditional boundaries of sculpture and architecture and thus creates a work which is alive, and open to all; an artwork which everyone can make their own.”
In 1806, Napoleon I decreed that an arch be built on the Place de l’Etoile in the glory of the Grande Armée. The Arc de Triomphe stands as a symbol of national unity and is ornamented with four groups of sculpted figures by François Rude, Jean-Pierre Cortot and Antoine Etex. The frieze running around the entablature recounts the departure and return of the French armies.
The architect, Jean-François-Thérèse Chalgrin, had not made any plans for the ornamentation of the inside of the monument. It was in 1835 that the idea emerged to inscribe on the underside of the vault decorated with Roman-style panels the names of the 128 battles of the First Republic and the Empire, together with the names of the generals who had taken part in them.
The project Wrapped will go down in the annals of time, as yet another avant-garde project by the artists Christo and Jeanne-Claude that did not fail to receive brickbats and bouquets – the standpoint common to their body of work.
by Manu Sharma May 26, 2023
Russian artist Maxim Zhestkov discusses his virtual reality project that blurs various creative disciplines.
by Vatsala Sethi May 24, 2023
The modern photography exhibition 'A World In Common' by Tate Modern looks at the dynamic landscape of photography and video from the African diaspora.
by Sukanya Deb May 22, 2023
Rijksmuseum's extended research and curatorial project brings scholarship and conservational insight relating the 17th century Dutch painter to the digital realm.
by Vatsala Sethi May 21, 2023
Investigating Tokyo Gendai 2023, a contemporary art event at Pacifico Yokohama, featuring a lineup of 79 galleries from Japan, the Asia Pacific region, and around the world.
make your fridays matterSUBSCRIBE
Don't have an account?Sign Up
Or you can join with
Please select your profession for an enhanced experience.
Tap on things that interests you.
Select the Conversation Category you would like to watch
Please enter your details and click submit.
Enter the code sent to
What do you think?