Curved aluminium fins wrap the undulating exterior of Xiqu Centre in Hong Kong
The performing arts venue by Revery Architecture merges art, traditional theatre and heritage, allowing Chinese opera to continue to evolve with contemporary technology.
Astutely weaving tradition into a contemporary setting, Xiqu Centre is the latest prestigious landmark in Hong Kong. The centre aims at promoting Xiqu – the primary genre of indigenous Chinese theatre – and the production, education and research of this traditional art form.
Designed by award-winning Canadian studio Revery Architecture in collaboration with Ronald Lu & Partners Ltd, the performing arts venue opened earlier this year, receiving eye balls for its dramatic curvilinear façade.
Conceptualised as a cultural sanctuary, the Xiqu Centre merges art, theatre and the region’s dynamic public realm, in its seven-storey venue. Chronicling the Chinese Moon Gate motif in its striking design, the space is now an abode for traditional Chinese opera, standing as a stunning gateway to the city’s new precinct for culture and arts – the West Kowloon Cultural District (WKCD).
The Xiqu Centre weaves tradition in a contemporary setting
Image Credit: Courtesy of Revery Architecture
At dusk, the glowing envelope is redolent of lanterns glinting behind a beaded stage curtain, akin to the type used in traditional theatre. The metal panels woven into the façade are gently pulled back at the four corners of Xiqu Centre, and some pulled open at various locations, mimicking the movement of swaying curtains, and arresting the attention of onlookers. These intriguing openings across the elevations appear as light boxes, reminiscent of abstract art works from Xiqu costumes, radiating light outside and providing a glimpse of the inside as well.
Impersonating the movement found in the Xiqu art form as well as qi (flow of energy), the design takes on a curvilinear, flowy form. Qi is expressed abundantly throughout the compound by the curved paths and arched entrances specifically designed around the multi-level circular atrium.
The Xiqu Centre’s programme diagram
Image Credit: Courtesy of Revery Architecture
The curvilinear form is influenced by the movement found in the Xiqu art form as well as qiImage Credit: Courtesy of Revery Architecture
The fabrication of the elevations was planned to create an effect of a curtain, which resulted in the employment of a modular system of scaled fins, CNC (computer numerical control)-cut from untreated marine-grade aluminium pipe. These are set in an alternate patterned array along the building’s façade, and the aluminium will weather over time to develop a natural patina, creating a rustic aesthetic.
An array of untreated marine-grade aluminum employed in the structure’s façade
Image Credit: Courtesy of Revery Architecture
A modular system of scaled fins
Image Credit: Courtesy of Revery Architecture
Full scale mock-up of façade element
Image Credit: Courtesy of Revery Architecture
Axonometric diagram of façade assembly
Image Credit: Courtesy of Revery Architecture
The visitors at the Xiqu Centre’s interior courtyard space can enjoy exhibitions, demonstrations, stalls and workshops, which render and promote Xiqu’s rich heritage and cultural traditions. The Centre’s astounding 1,073-seat Grand Theatre is suspended at the top of the building (27m off the ground), which resulted in smooth internal configuration of the plaza and atrium space. This also facilitated in secluding the auditorium from added ambient noise from its surrounding urban setting – an inventive decision, which enabled safe and timely construction within and below the space at the same time.
Inside the suspended Grand Theatre of the Xiqu Centre
Image Credit: Courtesy of Revery Architecture
The Grand Theatre - interior mock-up
Image Credit: Courtesy of Revery Architecture
The elevated theatre is flanked by two alfresco sky gardens, with panoramic views of Victoria Harbour and the city beyond. The suspended theatre also generates space underneath for a Tea House theatre of 200 seats, rehearsal studios, education and administrative spaces, lecture rooms, and retail areas overlooking the naturally-ventilated central, inner courtyard.
01min watch
Time lapse of the construction of Grand Theatre
Video Credit: Courtesy of Revery Architecture
Xiqu Centre - facade construction
Image Credit: Courtesy of Revery Architecture
This sparkling cultural centre is freely accessible to public, fostering organic interaction inside and outside the complex. The futuristic design of the Xiqu Centre meshes with traditional Chinese art, lending to the vibrant spirit of Hong Kong.
Ground Floor Plan
Image Credit: Courtesy of Revery Architecture
First Floor Plan
Image Credit: Courtesy of Revery Architecture
Second Floor Plan
Image Credit: Courtesy of Revery Architecture
Fourth Floor Plan
Image Credit: Courtesy of Revery Architecture
Fifth Floor Plan
Image Credit: Courtesy of Revery Architecture
Entrance and South Elevations
Image Credit: Courtesy of Revery Architecture
East and West Elevations
Image Credit: Courtesy of Revery Architecture
Project Details
Name: Xiqu Centre Location: Hong Kong, China Year of completion: 2019 Architect: Revery Architecture Programme: Performance Venue
In more than half a decade of dedicated writing and research fueled by her education and experience in architecture, Jincy is involved in writing for, ideating as well as aligning and editing content for STIR’s design and architecture verticals. She also edits and oversees the day-to-day editorial operations for its launch platform, STIRpad. Her keen interest in what demands design and creative plurality at large drives her professional pursuits. She often tunes into a variety of media centred especially on maligned women, emotional intelligence, true crime and what we get wrong about history.
In more than half a decade of dedicated writing and research fueled by her education and experience in architecture, Jincy is involved in writing for, ideating as well as aligning and editing content for STIR’s design and architecture verticals. She also edits and oversees the day-to-day editorial operations for its launch platform, STIRpad. Her keen interest in what demands design and creative plurality at large drives her professional pursuits. She often tunes into a variety of media centred especially on maligned women, emotional intelligence, true crime and what we get wrong about history.
In a conversation with STIR, Charles Kettaneh and Nicolas Fayad discuss the value of preservation and why they prioritise small, precise acts of design over grand erasures.
An on-ground report in the final few weeks of the ECC’s showcase this year draws on its tenets and its reception, placing agency and action in the present over future travails.
Amidst a lingering industrial past, this workspace — featuring pink lime plaster walls and playful gargoyles — is a living tribute to IKSOI's co-founder, late architect Dhawal Mistry.
Curved aluminium fins wrap the undulating exterior of Xiqu Centre in Hong Kong
The performing arts venue by Revery Architecture merges art, traditional theatre and heritage, allowing Chinese opera to continue to evolve with contemporary technology.
STIRpad.com
surprise me!
Sign in with Google
Sign in with email
What do you think?