Backrooms: Tales of hauntings and disembodiments in junkspace
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Pol Agustí on stirring the unseen through material, form, memory and ritual
May 01, 2026by Pranjal Maheshwari May 01, 2026
In which ‘those ones’ don’t cut it anymore: Reflections on Pradip Krishen’s 1989 film
Mar 27, 2026by Mrinmayee Bhoot Mar 27, 2026
From conversation to co-authorship: public programming at ADFF:STIR Mumbai 2026
Jan 28, 2026by Mrinmayee Bhoot Jan 28, 2026
To 3D or not to 3D: The trials and travails of the medium in spatial storytelling for film
Jan 16, 2026by Anmol Ahuja, Mrinmayee Bhoot Jan 16, 2026
‘It’s Alive!’: The enduring vitality of Frankenstein and his ‘monster’
Nov 27, 2025by Mrinmayee Bhoot Nov 27, 2025
Refuge, cultural assimilation and Living Together in Vienna’s integration facilities
Jul 31, 2025by Mrinmayee Bhoot Jul 31, 2025
The Severance Compliance Handbook on perpetuity in workspace design
Feb 28, 2025by Mrinmayee Bhoot Feb 28, 2025
A minimalist vision of light and legacy shapes the 2025 BAFTA stage design
Feb 20, 2025by Aarthi Mohan Feb 20, 2025
The cinematic poetics of M:OFA Studio’s 'Walk of Frames' at ADFF:STIR Mumbai
Jan 08, 2025by Aarthi Mohan Jan 08, 2025
A stage for every story: Julio Himede on supporting art and diversity in design
Dec 06, 2024by Aarthi Mohan Dec 06, 2024
Behind the screens: Finn Ross on crafting immersive theatre through video design
Oct 04, 2024by Aarthi Mohan Oct 04, 2024
Celebrating four decades: How the 2024 VMAs fused art, technology and nostalgia
Sep 19, 2024by Bansari Paghdar Sep 19, 2024
Sydney Design Week 2024 construes design discourse 'In Between Worlds'
Sep 05, 2024by Mrinmayee Bhoot Sep 05, 2024
Hansal Mehta on the importance of 'ordinary' spatiality in filmmaking
Aug 01, 2024by Bhawna Jaimini Aug 01, 2024
Witnessing ‘The Art Of Recreating’ with Tiina Kierysch of Bang & Olufsen
Jul 16, 2024by Jincy Iype Jul 16, 2024
Wim Wenders' 'Perfect Days' is a glacial examination of the 'little things' in life
Apr 12, 2024by Anmol Ahuja Apr 12, 2024
Ruth De Jong on authenticity, minimalism, and human endeavour in ‘Oppenheimer’
Feb 23, 2024by Anmol Ahuja Feb 23, 2024
Jack Fisk on spatial gravitas in an American tragedy in 'Killers of the Flower Moon'
Feb 16, 2024by Anmol Ahuja Feb 16, 2024
Spatial dreams on celluloid: The best of film production design from 2023
Dec 24, 2023by Anmol Ahuja Dec 24, 2023
Yellow Studio’s stage design for Eurovision 2023 is a wide embrace of togetherness
May 18, 2023by Anushka Sharma May 18, 2023
'Everything Everywhere All at Once' and its many worlds with Jason Kisvarday
Mar 20, 2023by Anmol Ahuja Mar 20, 2023
Annie Atkins’ dramatic details that disappear behind ‘lights, camera, and action!'
Mar 18, 2023by Sunena V Maju Mar 18, 2023
The Oscars 2023 stage design references art deco and the aesthetic of cinema halls
Mar 16, 2023by STIRworld Mar 16, 2023
Dylan Cole and Ben Procter on designing the world of 'Avatar: The Way of Water'
Mar 13, 2023by Anmol Ahuja Mar 13, 2023
Discussion, discourse, and creative insight through STIRring conversations in 2022
Dec 27, 2022by Jincy Iype Dec 27, 2022
Stefan Riekeles on ‘Anime Architecture’ and Neo-Tokyo’s layered, dystopian urbanscape
Sep 03, 2022by Jerry Elengical Sep 03, 2022
Tamara Deverell on her oblong distortion of spaces in ‘Nightmare Alley’
Apr 07, 2022by Anmol Ahuja Apr 07, 2022
Mise-en-scène with STIR: The best of film architecture at Oscars 2022
Mar 29, 2022by Anmol Ahuja Mar 29, 2022
David Korins creates a swirling portal into the future for 2022 Oscars ceremony
Mar 28, 2022by Jerry Elengical Mar 28, 2022
Stefan Dechant on transforming edifice into artifice in ‘The Tragedy of Macbeth’
Mar 26, 2022by Anmol Ahuja Mar 26, 2022
Grant Major on designing the subverted traditional western in 'The Power of the Dog'
Mar 21, 2022by Anmol Ahuja Mar 21, 2022
Pan Nalin's 'Chhello Show': A tryst with the dwindling single screen cinema hall
Feb 23, 2022by Devanshi Shah Feb 23, 2022
In conversation with Oscar-nominated production designer Patrice Vermette
Feb 14, 2022by Devanshi Shah Feb 14, 2022
Venturing into Virgilio Villoresi’s gleefully surreal, miniature world
Jan 22, 2022by Anmol Ahuja Jan 22, 2022
STIR’reel’: A compendium of films from 2021 with exceptional architecture and design
Dec 29, 2021by Anmol Ahuja Dec 29, 2021
Entering the vibrant, idiosyncratic world of Wes Anderson’s ‘The French Dispatch’
Oct 27, 2021by Anmol Ahuja Oct 27, 2021
Michal Sobocinski speaks about his role as the cinematographer of 'The Disciple'
Oct 18, 2021by Devanshi Shah Oct 18, 2021
Behind-the-scenes of the architectural spaces of sci-fi web series ‘OK Computer’
Oct 15, 2021by Devanshi Shah Oct 15, 2021
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