In which ‘those ones’ don’t cut it anymore: Reflections on Pradip Krishen’s 1989 film
Mar 27, 2026by Mrinmayee Bhoot Mar 27, 2026
To 3D or not to 3D: The trials and travails of the medium in spatial storytelling for film
Jan 16, 2026by Anmol Ahuja, Mrinmayee Bhoot Jan 16, 2026
Rajasthani folktales meet stop-motion animation in Every Now and Then Girls…
Oct 31, 2025by Srishti Ojha Oct 31, 2025
In Ghotul, indigenous traditions model safe sexual exploration and bodily autonomy
Oct 10, 2025by Srishti Ojha Oct 10, 2025
'The Color Black' traces multiple pathways through art and architecture
Jan 15, 2025by Manu Sharma Jan 15, 2025
ADFF:STIR Mumbai’s ~log(ue) to expand the scope of discourse via disparate mediums
Jan 07, 2025by Almas Sadique Jan 07, 2025
Richard Peduzzi's 'Perspective': A total work of art between design and theatre
Dec 02, 2024by Giulia Zappa Dec 02, 2024
On colonial pasts and capitalist presents: Tuan Andrew Nguyen at Zeitz MOCAA
Oct 22, 2024by Niren Tolsi Oct 22, 2024
Hansal Mehta on the importance of 'ordinary' spatiality in filmmaking
Aug 01, 2024by Bhawna Jaimini Aug 01, 2024
Bombay Talkies to Bollywood: Josef Wirsching's photographic archive
Mar 11, 2024by Ekta Mohta Mar 11, 2024
Alana Hunt excavates the slivers of colonisation and cultures to develop her art
Jan 28, 2024by Dilpreet Bhullar Jan 28, 2024
'Everything Everywhere All at Once' and its many worlds with Jason Kisvarday
Mar 20, 2023by Anmol Ahuja Mar 20, 2023
Dylan Cole and Ben Procter on designing the world of 'Avatar: The Way of Water'
Mar 13, 2023by Anmol Ahuja Mar 13, 2023
Discussion, discourse, and creative insight through STIRring conversations in 2022
Dec 27, 2022by Jincy Iype Dec 27, 2022
Get It Studio transfigures the nexus of the physical and digital world
Aug 02, 2022by Sunena V Maju Aug 02, 2022
Davide Rampello on the mystique, movies, and magic of 'La Scatola Magica'
Jun 08, 2022by Anmol Ahuja Jun 08, 2022
Of tigers and wolves: two films tackling conservation from an ecofeminist lens
Apr 25, 2022by Rosalyn D`Mello Apr 25, 2022
Tamara Deverell on her oblong distortion of spaces in ‘Nightmare Alley’
Apr 07, 2022by Anmol Ahuja Apr 07, 2022
Mise-en-scène with STIR: The best of film architecture at Oscars 2022
Mar 29, 2022by Anmol Ahuja Mar 29, 2022
Stefan Dechant on transforming edifice into artifice in ‘The Tragedy of Macbeth’
Mar 26, 2022by Anmol Ahuja Mar 26, 2022
Grant Major on designing the subverted traditional western in 'The Power of the Dog'
Mar 21, 2022by Anmol Ahuja Mar 21, 2022
Pan Nalin's 'Chhello Show': A tryst with the dwindling single screen cinema hall
Feb 23, 2022by Devanshi Shah Feb 23, 2022
'The Intersection' by Superflux solemnly reflects on global crises through technology
Feb 01, 2022by Anmol Ahuja Feb 01, 2022
Venturing into Virgilio Villoresi’s gleefully surreal, miniature world
Jan 22, 2022by Anmol Ahuja Jan 22, 2022
STIR’reel’: A compendium of films from 2021 with exceptional architecture and design
Dec 29, 2021by Anmol Ahuja Dec 29, 2021
'The Importance of Being an Architect', with Antonio Citterio and Patricia Viel
Nov 12, 2021by Anmol Ahuja Nov 12, 2021
The world of ‘Squid Game’: an architecture of oppression, excess, desire, and savagery
Oct 29, 2021by Jerry Elengical, Anmol Ahuja Oct 29, 2021
Entering the vibrant, idiosyncratic world of Wes Anderson’s ‘The French Dispatch’
Oct 27, 2021by Anmol Ahuja Oct 27, 2021
Michal Sobocinski speaks about his role as the cinematographer of 'The Disciple'
Oct 18, 2021by Devanshi Shah Oct 18, 2021
Behind-the-scenes of the architectural spaces of sci-fi web series ‘OK Computer’
Oct 15, 2021by Devanshi Shah Oct 15, 2021
Sign in with Google
Sign in with email