Connection/consumption: human stories of industrialisation
Mar 19, 2026by Srishti Ojha Mar 19, 2026
Civilisation, remixed: experimental cinema in the age of simulation
Mar 13, 2026by Srishti Ojha Mar 13, 2026
In medias res: Paul Hodgson on unfixing artworks and the creative process
Mar 06, 2026by Srishti Ojha Mar 06, 2026
Architecture’s poet in residence wants you to use your voice
Feb 20, 2026by Srishti Ojha Feb 20, 2026
Ai Weiwei on censorship and hypocrisy, and his first visit to India
Feb 16, 2026by Samta Nadeem, Srishti Ojha Feb 16, 2026
Hollow, bound, transformed: Prabhakar Pachpute’s view of a ravaged world
Feb 11, 2026by Srishti Ojha Feb 11, 2026
Renewal, care and community in the outdoor projects at India Art Fair 2026
Feb 10, 2026by Srishti Ojha Feb 10, 2026
India Art Fair 2026 and more in Delhi: The STIR list of must-see exhibitions
Feb 04, 2026by Srishti Ojha Feb 04, 2026
From Ghana to Kochi: Ibrahim Mahama on creating spaces for community
Jan 22, 2026by Srishti Ojha, Harshali Pagare Jan 22, 2026
Two-in-one: Hybridity is a conceptual tool for Lubna Chowdhary
Jan 20, 2026by Srishti Ojha Jan 20, 2026
Nathaniel Rackowe turns industrial materials into a love letter to cities
Nov 26, 2025by Srishti Ojha Nov 26, 2025
Art against authoritarianism: HKW’s Global Fascisms presents an urgent challenge
Nov 10, 2025by Srishti Ojha Nov 10, 2025
Endurance and erosion: Restless Circle at Sharjah Art Foundation
Nov 07, 2025by Srishti Ojha Nov 07, 2025
Rajasthani folktales meet stop-motion animation in Every Now and Then Girls…
Oct 31, 2025by Srishti Ojha Oct 31, 2025
Maritea Dæhlin’s –A-FI-SA is a multicultural journey from Mexico to Svalbard
Oct 27, 2025by Srishti Ojha Oct 27, 2025
Städel Museum’s exhibition of Asta Gröting’s art rewards slow contemplation
Oct 24, 2025by Srishti Ojha Oct 24, 2025
In Ghotul, indigenous traditions model safe sexual exploration and bodily autonomy
Oct 10, 2025by Srishti Ojha Oct 10, 2025
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