•make your fridays matter with a well-read weekend
by Aastha D. Mar 11, 2023
Organised by Buell Center at Columbia GSAPP, the conversation highlighted new approaches to the history of the intertwining of law, visual culture, and land.
by Sukanya Deb Mar 02, 2023
Non-Aligned, Non-Alienated by Nathalie Muchamad at Kochi-Muziris Biennale 2022, investigates familial history, spice trade in Asia and its significance in imperial history.
by Sukanya Deb Jan 15, 2023
Paj qaum ntuj / Flowers of the Sky, an exhibition of works by the artist at the Walker Art Center, situates the history of land, loss and resilience in the community.
by Rosalyn D`Mello Jan 04, 2023
Paulo Nazareth’s 2013 performance, L’Arbre D’Oublier, provokes nostalgic grief for the lost mother.
by Rosalyn D`Mello Nov 20, 2022
The Vittorio Bottego monument in Parma is an excellent example of Italy’s reluctance to wrestle with its colonial past.
by Shraddha Nair Oct 28, 2022
Azu Nwagbogu, founder of AAF, talks about what a regenerative art system looks like from a curatorial and artistic standpoint, with the exhibition Dig Where You Stand.
by STIRworld Oct 18, 2022
Examining the works around the concept of non-human, we identify five pieces that resonated beyond the historical rituals, traditions, and conventions at Frieze London 2022.
by Shraddha Nair Aug 18, 2022
Duveen Galleries at Tate Britain present the 2022 commission, featuring over 100 sculptures in immersive installation The Procession by British-Guyanese artist Hew Locke.
by Dilpreet Bhullar Jul 30, 2022
Immersive textile installations, part of the exhibition Mobile Palace by Swapnaa Tamhane at Royal Ontario Museum, Toronto, underline her notion to resist the colonial ideas of hierarchy.
by Daria Kravchuk Jul 26, 2022
Gertrude Flentge, one of the curators from the artistic team of documenta fifteen, who was working with ruangrupa since the early 2000s, comments on the current state of events.
by Dilpreet Bhullar Jun 28, 2022
Toronto Biennial of Art: What Water Knows, The Land Remembers, with various artists and indigenous communities explored natural world and the colonial history of Toronto.
by Sukanya Deb Apr 01, 2022
A web-based project looks at the Atlantic Ocean as a repository of historical information, considering colonialism and man-made aspects of water bodies as extension of capitalism.
by Sukanya Deb Mar 15, 2022
The last of a three-part series investigates modernity and the cultural underpinnings around its conception in African diaspora artists who contributed to the Western canon.
by Rahul Kumar Jan 31, 2022
Stealthily created The Unfiltered History Tour by Dentsu Webchutney and VICE World News raises questions about objects in a museum and the narrative of the community of its origin.
by Rosalyn D`Mello Dec 10, 2021
A recent visit to two Austrian museums threw up critical questions about display strategies and lack of transparency about provenance.
by Dilpreet Bhullar Oct 08, 2021
The idea of anthropomorphism embedded in the hyperreal sculptures by the Australian artist Patricia Piccinini is a way to forge a relationship between the world of humans and animals.
by Dilpreet Bhullar Aug 08, 2021
The exhibition Specters of Noon with sculptures by Allora & Calzadilla at the Menil Collection, Texas, addressed colonial expansion and geopolitics' repercussions on humans and nature.
by Rosalyn D`Mello Jul 14, 2021
Taloi Havini’s recently unveiled site-specific installation at Ocean Space, Venice, locates the visitor within a complex ontological framework of indigenous place-thought.
by Dilpreet Bhullar Jul 07, 2021
Geneva-based artist Apnavi Makanji’s body of work, spread across the mediums of drawings, installations and videos, is an investigation of the ideas on home and memory.
by Jones John Sep 04, 2020
At the turn of the 20th century, a national artform would emerge for a new India, with it a new art education, and at the helm of these currents was one man, Abanindranath Tagore.
make your fridays matter with a well-read weekend
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